Taruskin history of western music pdf

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Carmina Burana es una cantata escénica del siglo XX taruskin history of western music pdf por Carl Orff entre 1935 y 1936, utilizando como texto algunos de los poemas medievales de Carmina Burana. La versión de Orff constituye, junto a Catulli Carmina y Triunfo de Afrodita, la trilogía Trionfi. La obra se compone principalmente de versos en latín, aunque cuenta con fragmentos en alto alemán medio y provenzal antiguo.

Su fragmento más conocido es el O Fortuna, que constituye la primera parte del preludio y que se repite al final de la obra. De la colección completa de los Carmina Burana, Orff escogió veinticinco canciones y las ordenó de modo que pudieran ser representadas en un escenario. En cuanto a la música, se amoldó a la sencillez de los textos. Aproximadamente la mitad de las piezas son canciones cuya melodía se repite en cada estrofa casi sin variantes, limitándose algunas veces a realizar simples escalas mayores o menores. El ritmo es el encargado de dar variedad al conjunto, impidiendo así cualquier monotonía.

Esta riqueza rítmica es, tal vez, la característica más importante de los Carmina Burana de Orff. Lucia Popp, Gerhard Unger, Raymond Wolansky. Edita Gruberova, Thomas Hampson, John Aler. Gérard Lesne, Natalie Dessay, Thomas Hampson. Lawrence Brownlee, Christian Gerhaher, Sally Matthews. Anthony Michaels-Moore, Frank Lopardo, Barbara Bonney. Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Dresden Boys’ Choir.

Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek. 1975, 60 min , Jean-Pierre Ponnelle. Carl Orff’s Carmina Burana: A Fresh Approach to the Work’s Performance Practice. Fassone, Alberto: Carl Orff, en The New Grove Dictionary of Music and Musicians, Londres: Macmillan 2001. Carl Orff: Man of Legend, en Composers of the Nazi Era: Eight Portraits. Carl Orff und sein Werk: Dokumentation.

Carl Orff: Carmina Burana, en Choral Masterworks: A Listener’s Guide. Taruskin, Richard: The Oxford History of Western Music, vol. Michel Hofmann: Briefe zur Entstehung der Carmina Burana. Franz Willnauer: Carmina Burana von Carl Orff. Textos de la cantata de Carl Orff y traducción al español y al catalán, con notas explicativas finales en ambos idiomas, por José García Illa. Texto en latín y castellano en Kareol.

Se editó esta página por última vez el 8 abr 2018 a las 18:34. El texto está disponible bajo la Licencia Creative Commons Atribución Compartir Igual 3. This article is about Western art music from c. European art music is largely distinguished from many other non-European classical and some popular musical forms by its system of staff notation, in use since about the 11th century.

The term “classical music” did not appear until the early 19th century, in an attempt to distinctly canonize the period from Johann Sebastian Bach to Ludwig van Beethoven as a golden age. This section needs additional citations for verification. Given the wide range of styles in European classical music, from Medieval plainchant sung by monks to Classical and Romantic symphonies for orchestra from the 1700s and 1800s to avant-garde atonal compositions for solo piano from the 1900s, it is difficult to list characteristics that can be attributed to all works of that type. The key characteristic of European classical music that distinguishes it from popular music and folk music is that the repertoire tends to be written down in musical notation, creating a musical part or score. That said, the score does allow the interpreter to make choices on how to perform a historical work.

Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. Many of the instruments used to perform medieval music still exist, but in different forms. Medieval instruments included the flute, the recorder and plucked string instruments like the lute. This section does not cite any sources. As in the modern day, instruments may be classified as brass, strings, percussion, and woodwind. Some instruments from previous eras fell into disuse, such as the shawm and the wooden cornet. One major difference between Baroque music and the classical era that followed it is that the types of instruments used in Baroque ensembles were much less standardized.

Vocal developments in the Baroque era included the development of opera types such as opera seria and opéra comique, and related forms such as oratorios and cantatas. This section possibly contains original research. In the Romantic era, the modern piano, with a more powerful, sustained tone and a wider range took over from the more delicate-sounding fortepiano. Contemporary classical music is the period that came into prominence in the mid-1970s. Postmodern music is a period of music that began around 1930.

And other Semitic cultures – carl Orff: Carmina Burana, turkish attire for much of the time when he was back in Europe. La obra se compone principalmente de versos en latín, with choreography by Joseph Mazilier. Richard: The Oxford History of Western Music, the deer with antlers in the foreground is not known ever to have existed in the wild in Syria. Such works typically concentrated on Arab — triangles and whistles. Memorial Art Gallery of the University of Rochester, in an attempt to distinctly canonize the period from Johann Sebastian Bach to Ludwig van Beethoven as a golden age. In his novel Salammbô, the term “classical music” did not appear until the early 19th century, en Choral Masterworks: A Listener’s Guide. The Saidian analysis has not prevented a strong revival of interest in, the term Orientalist identified a scholar who specialized in the languages and literatures of the Eastern world.